Download kaksha gyarvi by zakir khan free in HD (amazon prime video)

Duration :- 1h 15min

Size :-648mb

When I first heard about ‘Kaksha Gyarvi’ releasing on 23rd November, my mind immediately asked — ‘Right now?And him?’. We have spent the past few weeks listening to women sharing deep personal truths and traumas as well as getting an important insight into how oblivious the rest of us are to their realities. If your last stand-up special displayed a myopic understanding of women and gender relations, a little concern for your new venture is valid.

What has been even more worrisome is the fact that Zakir Khan, one of India’s most recognisable comedians with a massive online influence, has been silent. He didn’t react to the allegations against Utsav Chakraborty, even when Tanmay Bhat had to step away from All India Bakchod. It’s vital to remember that Khan’s first slate of viral clips came from the AIB Diwas event and Bhat infact introduces him on stage in the current special. Khan is managed by Only Much Louder, who have also produced both his stand-up specials as well as the series ‘Chacha Vidhayak Hai Hamare’. The comedian joined the company’s roster in maintaining silence about The Caravan Magazine article on OML’s toxic work culture.

You may think that these facts are not vital for a streaming special review but they do help paint a portrait of the time in which ‘Kaksha Gyarvi’ has come out.

Zakir’s commitment to a special’s theme stays consistent even here as he paints one of the most intimate portraits about school life in India. The first half of the special rides smoothly after the lukewarm filler jokes mainly due to the absence of any female characters (it’s strange to say it as a compliment but more on that later) and the fact that Khan’s sermonising impulse is kept under considerable check. The features of Indian school life are illustrated with careful observation, their ludicrous nature being highlighted with skill. The authenticity is only broken at times when references to ‘PUBG’ and ‘Baahubali’ are dropped to indulge fans.

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The show’s strongest bit is a well-crafted description of a single day when Zakir was in the eleventh grade. The smallest facts are vital for Khan as he provides a vivid image of the cast of characters and their idiosyncrasies. The series of events and their impact on his life forms the core of the special.

The less obvious theme of the special makes its appearance only subtly and in bursts. The formation of toxic masculinity in Indian men and the peer pressure which sustains it is referenced throughout the special. The heckles of ‘not being a man’, about men being brave by hiding their fear, and the adherence to male ego convey a deeper message than a walk down the memory lane. One of the most personally arresting moments came when Zakir stated an epiphany, as if it’s now an accepted fact — ‘the sign of a weak-minded man is that he shouts at a woman’. A few minutes later, he declares that people who say men can’t cry are liars; they just need someone to ask us. The brief moments signalled that this time the humour is yearning to come from a place of self-awareness.

The problem is that Zakir’s age old enemy of ‘hero worship’ is still alive. Applause greets him every few minutes and ridiculous cheers are also frequently showered. The audience will remind you of your school days, when inane actions such as talking to a girl invited a collective wave of teases and laughs. ‘Sakhti’ is yelled by an audience member at one point. It’s pretty evident that for those in the live audience atleast, the new ideas he tried to advocate failed to register.

The special cements the belief that Zakir is incapable of extending his empathy beyond straight Indian men. While he offers some relevant insights and relatable musings about the male condition, he can only see women in a set stereotype. She is a ‘Diva’ if she likes being organised. If a group of men need to evolve their ‘personality’, the sure-fire fix is to get a woman, who they aren’t sexually interested in, to be a part of the group. It should be noted that this isn’t illustrated with any story or insight about how a female presence helps men broaden their empathy, but the abrupt mid-show request is conveyed through an innocuous joke. It almost feels like Zakir has a change of heart while working on certain bits and resists exploring them with introspection or nuance.

The most concerning part of the special comes in how he projects Natasha. Introduced with descriptions of her beauty, Zakir views her friendship with an unusual lens. He claims that since beautiful women quickly learn that the world is a rotten place, they don’t talk to men a lot; which makes her choice of him significant. He somehow holds her responsible for the set of events he experiences on the bad day, and makes a series of awfully entitled couplets. He tells the women in the audience that Natasha’s read more...